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Pierre Frey

Wallpapers
Mexique

FP944001 - Canyon

Timeless, this geometric design is a reinterpretation of a modernist design by textile designer Elise Djo-Bourgeois imagined in 1930 and presented the...
Mexique
Timeless, this geometric design is a reinterpretation of a modernist design by textile designer Elise Djo-Bourgeois imagined in 1930 and presented the same year on the Djo-Bourgeois stand at the Salon des artistes décorateurs in Paris. The traditional rotary screen printing of the colors retranscribes the spirit of the original impressions with woodblocks, chosen by the artist. It reinforces the relief of this graphic composition. Traditional rotary screen printing.

Caractéristiques

Sales Unit

Available per roll of 10,05 m / 11 yards

Caractéristiques

Backing

NON WOVEN

Caractéristiques

Composition

-

Caractéristiques

Width

68 cm / 26,77 inch

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Scenography

Mexique  - Laize: 68 cm / 26,77 inch
Raccord : Vertical 52 cm / 20.47 inch
Raccord : Horizontal 68 cm / 26 inch
Laize : 68,00 cm / 26,77 inch

Technical sheet

Mexique

FP944001 - Canyon

Pierre Frey - Elise Djo-Bourgeois collection

Type

Small width printed wallpapers

Artist

Élise Djo-Bourgeois

Sales Unit

Available per roll of 10,05 m / 11 yards

Backing

NON WOVEN

Composition

-

Width

68 cm / 26,77 inch

Repeat

H: 68 cm - 26,00 inch
V: 52 cm - 20,47 inch
Straight repeat

Weight

175 gr / m²

Care

Spongeable Good lightfastness

Trimming

Trimmed

Hanging/Removing

Paste the wall
Strippable

Certifications

EUROCLASS B-s1,d0
ASTM E84 Class A

Notes

Good lightfastness
Flame retardant backing
Traditional printing technique

Book

F9979PPFREY38
Glossary
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Élise Djo-Bourgeois

Élise Djo-Bourgeois

Born in Oran in 1894, Elise received at an early age an education in the arts. As a student, she attended the Académie Julian and Les Ateliers Montparnasse allowing her own geometric and modern style to blossom, which was fully expressed between 1920 and 1937.  

Elise Djo-Bourgeois collection

Djo-Bourgeois! A mythical name for fans of the modernist movement that in fact belies the fact of two artists with complementary talents: Georges Bourgeois, known as Djo-Bourgeois, architect and designer recognized with a dazzling career, and Elise, his wife, textile designer. Like many artists of the time, they created as a duo. The former works on space and imagines furniture that the latter covers. As famous as Sonia Delaunay at the time, Elise was nevertheless forgotten, due to a career that was abandoned too early following the sudden death of her husband.

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